What does it take to become a successful writer â and possibly even a published author? Adelaide author Sean Williams has compiled a list of the 10½ commandments of writing, plus a bonus extra one for free. Â

Every author is asked by new writers for advice. There is, however, no all-encompassing, single answer that also happens to be correct. Quite a lot of commonly offered suggestions (âwrite every dayâ) donât work for everyone and must be approached with caution.
A few years ago, I set out to create a list that will benefit all new writers. I put 10 commandments through the wringer of my peers, who suggested modifications and noted that this list applies not just to new writers but to writers at every stage of their career. Indeed, Iâve needed reminding of more than one myself.
Here, then, are the 10½ commandments of writing â with an extra one for free.
To succeed as a writer, you must occasionally read. Yet there are wannabe-novelists who havenât picked up a book in years. There are also, more tragically, writers too busy to engage with the end-product of our craft. If the only thing youâre reading is yourself you are bound to miss out on valuable lessons.
The same applies to reading only within a favourite genre. A varied diet will strengthen your literary muscles.
No need to thrash out 1000 words a day or pen a perfect poem before breakfast, but you do have to write. The fundamental qualification for being a writer is putting words on the page.
If you arenât doing that now, itâs possible you never will.
When you really want to write literary fiction, but the market wants paranormal romance, write literary fiction. Chasing paranormal romance will be futile. Writing well is hard enough without cynicism getting in the way.
Passion doesnât always pay, but it increases the odds of your work finding a home.
But the choice is never between just literary fiction and paranormal romance. You might have poetry and narrative non-fiction passion projects as well, and itâs possible narrative non-fiction will appeal to the widest audience. If a wider audience is what you want, narrative non-fiction is the one to choose.
If, however, you donât give two hoots about your audience, write what you like.
There are lots of different kinds of writers and lots of different paths to becoming the writer you want to be.
Writing is hard, intellectually and physically. It also takes emotional work, dealing with exposure, rejection, fear and impostor syndrome. Itâs better you know this upfront, in order to fortify yourself.
These crises, however, are surmountable. We know this because there are writers out there, leading somewhat normal lives, even healthy and happy ones. You can too, if you donât give up.
The ones who persist are the ones who prevail.
Many writers would prefer they remain hidden in a dark cave for all eternity. But stories demand to be communicated, which means leaving that cave. Whether itâs you or your written word, or both, broaching the bubble of self-isolation is important.
This doesnât mean assaulting every social platform and attending every festival and convention. Find the kind of engagement that suits you and embrace it, and donât overdo it. Remember: you still have to write.
You have to come out from there at some point. Photo: Matthew Henry/Unsplash
Donât lie. Donât belittle your peers and donât steal from them. Keep your promises. Communicate. Try to behave like someone people will want to work with â because we all have to do that, at some point.
Heed what people youâre working with are saying, because you never know what gems of knowledge you might glean â about craft, about the market, about something youâre working on â among the knowledge you (think you) already possess.
Every story requires different skills. Youâll never, therefore, stop learning how to write. The day you think youâve worked it out is the day the ground beneath you begins to erode, dropping you headlong into a metaphorical sinkhole â and nobody wants that. Least of all your readers.
Readers can tell when youâre getting lazy, just like they can tell when youâre faking. Youâre one of them. Deep down, youâll be the first to know.
Put in the hours and youâre likely to get some return on your investment. How many hours, though?
Thereâs a wonderful saying: âEven a thief takes 10 years to learn her trade.â Writing is no different to any other career. Hope for overnight success; plan for being like everyone else.
When I put this list to my friends, several raised the importance of finding your people. Although I agree this is an important principle, I would argue it is implicit in commandments 6-8: these have no meaning without engaging. I decided to encapsulate this as 10.5: Embrace community.
After Iâd been teaching and giving talks on this topic for several years, someone suggested another commandment that lies beneath the rest. It is so fundamental none will work unless you have this in spades. It is 0. Really want it, which sounds so obvious that it barely needs stating â except it does.
One day, I may no longer want to write. If that happens, I will take every mention of writing from this list and substitute the name of a new vocation â because this list applies to everything.
Sean Williams is an award-winning Australian author and a lecturer at Flinders University. He has written in several genres, and also for Star Wars and Doctor Who. His latest novel, IMPOSSIBLE MUSIC, is about a young musician redefining his identity after a catastrophic life event (read an extract here). This article is republished from The Conversation under a Creative Commons licence.Â

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